Entertainment & Media

Sound Engineering Technician

SOC 27-4014.00 · ESCO 3521 · OSCA 399911

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Role snapshot

Overview

Sets up, operates, and maintains audio equipment for live events, recordings, or broadcasts, mixing sound levels and troubleshooting technical issues to deliver clear, balanced audio. This role ensures high-quality sound production by managing microphones, mixing consoles, speakers, and other sound systems, often working in dynamic and fast-paced environments.

Ensures that audio is clear, balanced, and impactful for audiences, artists, and broadcasters, directly contributing to the quality and success of performances, recordings, and media productions.

On the job

  • Set up and operate microphones, speakers, mixing consoles, and other audio equipment for various productions.
  • Monitor and adjust sound levels during live performances, recordings, or broadcasts to achieve optimal audio quality.
  • Troubleshoot technical issues with audio equipment and systems, performing repairs or seeking specialized assistance.
  • Conduct sound checks and make necessary adjustments to ensure clarity and balance for performers and audience.
  • Collaborate with directors, producers, and performers to understand audio requirements and deliver desired sound.
Sound Engineering Technician at work

Tools & technology

Digital Audio Workstations (e.g., Pro Tools, Logic Pro, Ableton Live)Mixing Consoles (digital and analog)Microphones (dynamic, condenser, ribbon)Audio InterfacesPA Systems and Monitors

Average salary

$55K
MEDIAN SALARY Annual · USD
$40K Bottom 10%
$75K Top 10%

Job outlook

Stable

Demand is steady. This is an established role with consistent hiring across sectors.

Education & training

Many Sound Engineering Technicians have a certificate, diploma, or associate's degree in audio production or sound engineering technology. A bachelor's degree can open up more advanced roles.

Career pathways

WHERE YOU COULD GO

Senior Sound Engineer
Audio Director

CURRENT ROLE

Sound Engineering Technician

Entertainment & Media

ADJACENT MOVES

Broadcast Engineer
Acoustics Consultant
Audio Assistant
Stagehand
Junior Audio Technician

STARTING POINTS

Who thrives here

Interest profile

R

realistic · RAC

People who enjoy hands-on technical work, require precision and attention to detail, and have a creative ear for sound often thrive in this role. It combines practical problem-solving with artistic expression.

Personality characteristics

Technically curious

Eager to explore new audio technologies, equipment, and production techniques.

Detail-oriented

Possesses a keen ear and meticulous approach to ensure audio precision and quality.

Calm under pressure

Maintains composure and problem-solves effectively during live events or critical recording sessions.

Collaborative

Works effectively with artists, producers, and other crew members to achieve a shared vision.

Practical problem-solver

Enjoys diagnosing and fixing technical issues with audio equipment and systems.

Best for

  • Individuals passionate about audio technology, music, and creating immersive sound experiences.
  • Those who enjoy hands-on technical work, troubleshooting complex systems, and maintaining equipment.
  • People who thrive in dynamic, often live, production environments where quick thinking and precision are key.
  • Detail-oriented individuals with a good ear for sound and a commitment to high-quality audio output.

Watch out for

  • Irregular hours, including evenings, weekends, and holidays, are common, especially in live event production.
  • Requires constant learning and adaptation to keep up with rapidly evolving audio technology and software.
  • Can be physically demanding, involving lifting heavy equipment, long hours on your feet, and working in various environments.

A week in the life

A representative working week for a Sound Engineering Technician — where the deep work, meetings, and admin actually land.

8am9am10am11am12pm1pm2pm3pm4pm5pm6pm
Mon
Daily Production Huddle
Equipment Setup and Calibration
Venue Acoustic Testing
Tue
Recording Session Tracking
Initial Mixdown and Editing
Wed
Post-Production Audio Cleanup
Client Mix Review and Feedback
Thu
Live Event Sound Check
Show Operation and Monitoring
Fri
Gear Teardown, Pack-up, and Transport
Project Archiving and Admin
Deep work Meeting External Social Admin

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